The choreographic structure is a little more complex, with more counterpoint, less unison. In “Stop,” there are two equal dancers, rather than a star flanked by two look-alikes. The similarities are intentional, as are the differences. It is “Stop,” by the choreographer Susan Marshall. It is not Beyoncé’s “Single Ladies,” probably the most famous dance video of this century. It consists entirely of women dancing in high heels, wearing identical, flesh-hugging outfits that expose their upper thighs.
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